Ngola Njinga of Ndongo and Matamba pt. 2: Gender, Performance, and Power in the Atlantic World

Though she now knew the Portuguese to be her enemies, Njinga was shrewd enough to understand that Europeans and their perception of her were as important to her hold on the throne as Mbundu perceptions.

She was always aware of the fact–in the eyes of both the Europeans and the Mbundu–that her power was undermined by her gender. To offset these attitudes, Njinga refused to be addressed as queen, answering only to the title of king. She required her male consorts to present themselves as women, and she trained her ladies-in-waiting as warriors.

This subversion of gender norms did not extend to her wardrobe. Though she understood that some presentation of maleness would help to secure her rule, she also realized that she had to present herself to the Europeans in a manner with which they were comfortable in order to gain their respect. Thus, she often dressed in the high style of Baroque Europe, employing a team of seamstresses to keep her wardrobe in-line with European fashions. She was fluent in spoken and written Portuguese, and wore a crown similar to those worn by European monarchs.

As she constructed a self which would appear worthy of respect to both the Europeans and the Mbundu, she also constructed an army. This army was composed of fugitive slaves, marginalized members of court, and the Imbangala mercenary groups who had once spread terror throughout Ndongo. With her army, Njinga began her campaign against the Portuguese, making particular use of guerrilla tactics. Her training of her ladies-in-waiting was not simply for show: Njinga often personally led battles and raids against the Portuguese.

Statue of Njinga standing in Kinaxixi Square in Luanda, the Angolan capital; photo courtesy of Erik Cleves Kristensen on flickr

After claiming the city of Kavanga as her new capital, Njinga quickly established a base for slave trade in order to strengthen her economy and used the city as a center from which to conduct her operations against the Portuguese. In 1631, she integrated Matamba into her lands. There, she resettled thousands of people who had fled from the Portuguese. With the Matamba territory under her rule, and with thousands of subjects behind her, Njinga began to expand into Portuguese held Ndongo.

Her victories against the Portuguese continued as the years went on, and it seemed as though she had a permanent victory when the Dutch occupied the former Portuguese island of Luanda. The Dutch supported Njinga’s campaign because they needed access to the slave market in order to support their own colonies.

However, her luck ran out in 1648 when the Portuguese expelled the Dutch and re-asserted their authority over the land they now called “Angola.” Njinga returned to Christianity in an attempt to placate the Portuguese, and in 1656 she signed a treaty allowing Portuguese missionaries, traders, and government officials to reside in her capital. She had hoped that, with these people in her power, she would be able to control Portuguese military operations against her.

Njinga shielded the interior of Southern Africa from the full brunt of the Portuguese for almost 40 years. She remained active and vigorous—even remarrying in 1658—until her death in 1663 at the age of 81. She single-handedly altered Mbundu attitudes towards female rulers, leading to the rule of several queens after her death, albeit queens who were the puppets of Portuguese governors and missionaries.

She was a brilliant ruler who defied and continues to defy the simplistic labels of “hero,” “liberator,” and “traitor,” like so many of the powerful women navigating the fraught waters of the Atlantic World.

Ngola Njinga of Ndongo and Matamba pt. 1: Confronting the Portuguese Empire

Some terminology before I begin: The Ngola ruled over Ndongo where the Mbundu people resided. Later, as a result of war with Portuguese invaders, the ruler of Ndongo came to rule over Matamba as well; however, the culture remained that of the Mbundu people. To the Portuguese, these lands were called Angola.

Queen Njinga (also known/spelled as: Nzinga, Dona Ana de Souza, Ana de Souza, Zhinga, N’Zhinga, Jinga, and Ngola Ana Nzinga Mbande) of Ndongo and Matamba was born in 1582 and died in 1663. In Portuguese historiography, she is alternatively remembered as a hero, a collaborator, a heretic, and an enemy; in Southern African historiography (particularly within the Angolan Liberation Movement), she is remembered as a hero and a liberator who shielded the interior of the West Coast of Southern Africa from Portuguese penetration for decades.

Portrait of Queen Njinga (clearly side-eyeing the Portuguese); source unknown.

Njinga was born to the Ngola Kiluanji and his consort Kangela in 1583, 168 years after the Portuguese first arrived in the region. The West Coast and interior of Southern Africa would become the base from which Portugal would launch their overseas empire, to be supported by the labor of the human capital wrested from the continent’s interior.

By the late sixteenth century—around the time of Njinga’s birth—the Portuguese had occupied the island of Luanda, establishing it as a slave post and using it as staging grounds for their religious and political incursions into Ndongo land. This threatened Ndongo sovereignty, and disrupted the economy as their movements threatened the Ndongo monopoly on trade and slave routes. In the course of these invasions, the Portuguese heard the word “Ngola” and mistook it as the name of the land, rather than the title of the ruler. They thus called the land by the name “Angola.”

Tradition holds that Njinga was born against this backdrop of Portuguese incursion with the umbilical cord still wrapped around her neck. This was taken as a sign that this daughter would grow into a proud and haughty woman. In deference to this omen, she was named Njinga after the Kimbundu verb “kujinga” meaning “to twist or turn.” These traits—viewed as negative ones in a woman—would serve Njinga well later in her life.

Though she recalls that she was her father’s favorite child, this favoritism altered neither the succession nor the cultural attitudes which kept women from the throne. In 1617, Njinga’s half-brother Mbande ascended the throne and immediately had all of his rivals (including Njinga’s son) assassinated. However, he overlooked the most dangerous of these rivals: Njinga herself.

Njinga viewed herself as far more of a capable ruler than her brother, and as far more worthy of the throne. She recognized that she would need Portuguese support if she were to claim the throne for herself. Thus, she planned an ambassadorial visit to Luanda.

The official reason for this trip was to form a treaty with the Portuguese governor aimed at having a Portuguese fortress removed from Ndongo land, to have the Portuguese return certain individuals they had seized from Ndongo territory, and to force the Imbangala mercenary group to cease their constant raids into Ndongo land. She also showed the Portuguese goodwill by agreeing to allow Portuguese slavers and missionaries into Ndongo territory. Njinga’s efforts were successful, the only remaining point of disagreement being over whether or not Ndongo would accept the status of vassal.

However, her primary motivation for this meeting was to show the Portuguese governor, João Correia de Souza, that she would be a strong, dependable queen. To further push this agenda, she allowed herself to baptized. She took the Christian name Ana, and assumed the governor’s surname: de Souza. It was clear that at least, in the time of her meeting with de Souza, Njinga held the high ground.

Of this, a famous story emerged: de Souza neglected to offer Njinga a chair when she arrived to their meeting. This deliberate action was intended to show Njinga that she was subordinate to the power represented by the governor. Understanding this and refusing to partake in de Souza’s charade, Njinga ordered one of her servants to get down on all fours. She conducted the meeting seated on the back of her servant, cementing her refusal to be perceived as anything but the governor’s equal.

“Queen Njinga of Ndongo Presented to the Portuguese Governor” engraving by Fortunato da Alemandini after a 1687 water color by Giovanni Cavazzi

However, once Njinga had returned to Ndongo, it became clear that the Portuguese did not intend to honor the treaty. They did not remove the fortress, return the individuals, or restrain the Imbangala. In 1624, Njinga’s brother, the Ngola Mbande, was found dead under mysterious circumstances. Some believe that it was murder, and others that it was suicide caused by his continued loss of power to the Portuguese. Regardless of the truth of the matter, many believed that Njinga was responsible.

After his death, Nijnga assumed power as regent over Mbande’s son. Though she was technically a regent, both the Portuguese and the Mbundu understood that she had declared herself queen in all but name.

As previously noted, the idea of a female ruler violated Mbundu cultural norms. But it went deeper than that. In Mbundu political theory, legitimate rulers could only be descended from the previous ruler. The claim of a ruler’s sibling—assuming that that sibling had been born to the same parent as the ruler—was shaky at best. Njinga’s claim to the throne, as Ngola Mbande’s half sister by a consort of his father, was illegitimate in the minds of the Mbundu people. Her chief support was among those involved in matters of state—the general Mbundu people most likely did not accept her as queen.

And neither did Portugal. In fact, the Portuguese intentionally spread rumors claiming that Njinga had murdered her brother in order to further de-legitimize her rule. The Portuguese then went even further and selected a rival claimant to the throne. This person had lineage which met Portuguese approval, and had demonstrated that they would prove amenable to Portuguese colonial interests.

In response to this betrayal, Njinga renounced her Christianity, ceased to pretend that she was simply acting in the stead of her nephew, and formally asserted herself as queen.